Type “Amanda Seyfried filmography complete” and the same question pops up: where to start, what to skip, what truly matters. Here is the straight answer. From teen-comedy sensation to Oscar-nominated craft, Amanda Seyfried’s movie path spans studio hits, bold indies, animation, and prestige drama, and it keeps evolving.
The essentials land early. “Mean Girls” (2004) introduced Amanda Seyfried to global audiences. “Mamma Mia!” (2008) exploded to 609.8 million dollars worldwide, then “Les Misérables” (2012) powered into awards season with eight Oscar nominations and three wins. A decade later, “Mank” (2020) delivered Amanda Seyfried’s first Academy Award nomination. The throughline is range, and the data backs it up.
Amanda Seyfried filmography at a glance : full list of movies
Below is the complete feature list, chronological and simple. Voice roles are marked.
- 2004 : Mean Girls
- 2005 : Nine Lives
- 2005 : American Gun
- 2006 : Alpha Dog
- 2008 : Solstice
- 2008 : Mamma Mia!
- 2009 : Jennifer’s Body
- 2009 : Chloe
- 2010 : Dear John
- 2010 : Letters to Juliet
- 2011 : Red Riding Hood
- 2011 : In Time
- 2012 : Gone
- 2012 : Les Misérables
- 2013 : The Big Wedding
- 2013 : Lovelace
- 2013 : Epic – voice
- 2014 : A Million Ways to Die in the West
- 2014 : While We’re Young
- 2015 : Ted 2
- 2015 : Fathers and Daughters
- 2015 : Love the Coopers
- 2017 : The Last Word
- 2017 : First Reformed
- 2018 : Gringo
- 2018 : Anon
- 2018 : Mamma Mia! Here We Go Again
- 2019 : The Art of Racing in the Rain
- 2020 : Scoob! – voice
- 2020 : You Should Have Left
- 2020 : Mank
- 2021 : Things Heard et Seen
- 2021 : A Mouthful of Air
- 2023 : Seven Veils
Box office peaks and awards : Amanda Seyfried’s milestones
Numbers tell the arc. “Mean Girls” earned about 130 million dollars worldwide in 2004 and never left pop culture. “Mamma Mia!” reached 609.8 million dollars worldwide in 2008, then sequel “Mamma Mia! Here We Go Again” added 402.3 million dollars in 2018, confirming Amanda Seyfried’s enduring draw alongside Meryl Streep and Pierce Brosnan.
On the drama side, “Les Misérables” tallied 441.8 million dollars worldwide after its December 2012 launch and scored eight Academy Award nominations, winning three. In 2021, “Mank” led the Oscars with 10 nominations and won two; Amanda Seyfried received her first nomination for Best Supporting Actress for playing Marion Davies.
There is range inside the mid-budget space too. “Dear John” opened at number 1 in the United States in February 2010, ending “Avatar”’s seven-week streak and finishing around 115 million dollars worldwide. “Letters to Juliet” added roughly 80 million dollars in 2010. Comedy-hit engine “Ted 2” brought in 216.7 million dollars worldwide in 2015, while animated adventure “Epic” accumulated about 268 million dollars worldwide in 2013.
What viewers often miss in Amanda Seyfried’s filmography
The usual blind spot: focusing only on “Mean Girls” or “Mamma Mia!” and skipping the riskier turns. That means missing “Chloe” (2009), a chilly Toronto-set thriller with Julianne Moore and Liam Neeson that quietly sharpened Amanda Seyfried’s dramatic edge. It means overlooking “Lovelace” (2013), a tough biopic that premiered at Sundance. And “First Reformed” (2017) with Ethan Hawke, a small release that later earned Paul Schrader an Oscar nomination for Best Original Screenplay.
The horror label can mislead too. “Jennifer’s Body” underperformed on release – about 31.6 million dollars worldwide on a reported 16 million dollar budget – then found a second life as audiences reappraised its tone and themes. Context matters, and time helped.
Streaming-era titles complicate tracking. “Things Heard et Seen” (2021) landed directly on Netflix, while “You Should Have Left” (2020) shifted to digital during lockdowns. Festival debuts also fly under the radar: “Seven Veils” premiered at the Toronto International Film Festival in 2023, signaling that Amanda Seyfried keeps one foot in auteur territory.
How to explore Amanda Seyfried’s movies today
Start wide, then go deep. One crowd-pleasing route pairs a hit and a pivot: “Mamma Mia!” followed by “Lovelace.” Or “Mean Girls” then “First Reformed.” For an awards-led path, go “Les Misérables” to “Mank” to see musical poise shift into old-Hollywood nuance.
Curious about box office muscle across genres? Try “Epic” for animation scale, “Ted 2” for R-rated comedy reach, and “Dear John” for the Nicholas Sparks wave that defined early 2010s weekends. For thriller energy, “Gone” and “In Time” sit beside “Red Riding Hood” to map that 2011-2012 stretch.
The missing piece for a definitly complete picture is timing. Watch chronologically from “Mean Girls” and the versatility becomes clear by 2012. Or jump to the late phase – “The Last Word,” “First Reformed,” “Mank,” “A Mouthful of Air,” “Seven Veils” – to see how Amanda Seyfried steers between mainstream visibility and filmmaker-driven risks. Different routes, same conclusion for the viewer: the range is real, and the list above is the roadmap.