Type “Charlotte Casiraghi La Fêlure” and the same question pops up : is this a book, a confession, a code word for fragility in high society. The answer sits in plain sight. “La Fêlure” is the French title of F. Scott Fitzgerald’s 1936 essays “The Crack-Up”, and the idea of a revealing crack runs through Charlotte Casiraghi’s cultural work, from salons to philosophy events.
Daughter of Princess Caroline of Monaco and born on 3 August 1986, Charlotte Casiraghi has built a public life steeped in letters and philosophy. She co-founded Les Rencontres Philosophiques de Monaco in 2015, co-authored “Archipel des passions” with philosopher Robert Maggiori in 2018, and since 2021 curates Chanel’s “Les Rendez-vous littéraires rue Cambon”. Across these milestones, one thread persists : doubts, breaks, inner fractures that do not destroy – they reveal.
Charlotte Casiraghi and “La Fêlure” : what the expression really points to
“La Fêlure” refers first to Fitzgerald’s trilogy of essays published in 1936 in Esquire, where the writer dissects a personal collapse. In France, that title became shorthand for a crack in the self that lets reality in. When readers link the term to Charlotte Casiraghi, they track a theme she frequently spotlights : fragility as a space for lucidity, not drama.
Her work gives context. Les Rencontres Philosophiques de Monaco, launched in 2015, brings contemporary thinkers to the Principality with a clear mission : discuss how we live, not just what we know. The editorial lines of these encounters have explored love, fear, vulnerability, desire – topics she also navigates in “Archipel des passions”, published in 2018 by Éditions du Seuil.
Since 2021, the literary rendez-vous at Chanel have amplified that sensibility, with readings and conversations that revisit authors who probe fractures and resilience. The salons take literature out of the museum and back into conversation. Intimate, but never minor.
Timeline that matters : 1936 to 2021, a map of influences
Dates clarify the link without the noise. In 1936, Fitzgerald’s “The Crack-Up” appears in Esquire, later translated as “La Fêlure”. In 2015, Charlotte Casiraghi co-founds Les Rencontres Philosophiques de Monaco to anchor living philosophy in public life. In 2018, she publishes “Archipel des passions” with Robert Maggiori – a book that breaks down emotions one by one, with examples and references.
In 2019, Charlotte Casiraghi marries film producer Dimitri Rassam, a personal event often mixed into searches that, frankly, distract from the cultural thread. In 2021, she becomes the visible face of Chanel’s literary project, “Les Rendez-vous littéraires rue Cambon”, where readings and panels restore a taste for complex feelings told simply. Different stages, same gravity : the crack as a path to clarity.
No sensational claim required. The vocabulary of fracture and repair sits naturally within her projects. Not a branding trick – a long-standing map of ideas.
Common mix-ups about “La Fêlure” and Charlotte Casiraghi
Search intent often slips. Here is what the expression does not mean in this context : there is no new confessional book titled “La Fêlure” by Charlotte Casiraghi, no secret memoir suddenly emerging. The phrase circulates because it names a literary and philosophical motif she regularly approaches.
Another confusion : “La Fêlure” is not a scandal headline. Fitzgerald’s essays, written in 1936 during a personal low point, coined an image many later authors borrowed. When Charlotte Casiraghi programs readings or conversations on fragility, she taps that genealogy. The echo is intellectual, not tabloid.
One more point. The crack is rarely tragic in her orbit. It is a line of force. The salons she curates since 2021 give space to ambiguity and nuance, letting readers accept mixed feelings without rushing to cure them. That is why the term keeps surfacing when her name does.
How to read “La Fêlure” today with Charlotte Casiraghi in mind
Curiosity deserves a clear path. Start simple, stay concrete, and let the texts speak before the commentary.
- Read F. Scott Fitzgerald’s “The Crack-Up” essays from 1936 to grasp the core metaphor behind “La Fêlure”.
- Open “Archipel des passions” by Charlotte Casiraghi and Robert Maggiori, published in 2018, to see how emotions are reasoned through without cynicism.
- Browse the public programs of Les Rencontres Philosophiques de Monaco since 2015 for sessions around vulnerability, desire, fear or courage.
- Watch or listen to Chanel’s “Les Rendez-vous littéraires rue Cambon” launched in 2021 to hear contemporary voices revisit classic texts about fracture and resilience.
That sequence does one quiet thing : it connects a 1936 literary shock to a 21st century cultural practice. Nothing mystical, nothing hidden, just an idea traveling well through time. And yes, a small fêlure makes the light easier to see.
